Design Form and Chaos/ Paul Rand

By:

Rand, Paul

Language: eng. Publication details: Yale University Press, 2017. New Haven;Description: xii, 2018 pISBN:

9780300230918

Subject(s):

DDC classification:

741.6 RAN-D

Contents:

Form + Content -- Good Design Is Goodwill -- Intuition and Ideas -- Logos ... Flags ... Street Signs -- The Presentation -- Next -- The Limited -- The IBM Logo -- AdStar Advanced Storage and Retrieval -- IDEO Design -- Morningstar Investment Advisers -- Computers, Pencils, and Brushes -- Aspects of Book Design -- A Mentor -- From Cassandre to Chaos.

Summary: Paul Rand's stature as one of the world's leading graphic designers is incontestable. For half a century his pioneering work in the field of advertising design and typography has exerted a profound influence on the design profession; he almost single-handedly transformed "commercial art" from a practice that catered to the lowest common denominator of taste to one that could assert its place among the other fine arts. Among the numerous clients for whom he has been a consultant and/or designer are the American Broadcasting Company, IBM Corporation, and Westinghouse Electric Corporation. In this witty and instructive book, Paul Rand speaks about the contemporary practice of graphic design, explaining the process and passion that foster good design and indicting faddism and trendiness. Illustrating his ideas with examples of his own stunning graphic work as well as with the work of artists he admires, Rand discusses such topics as: the values on which aesthetic judgments are based; the part played by intuition in good design; the proper relationship between management and designers; the place of market research; how and when to use computers in the production of a design; choosing a typeface; principles of book design; and the thought processes that lead to a final design. The centerpiece of the book consists of seven design portfolios - with diagrams and ultimate choices - that Rand used to present his logos to clients such as Next, IDEO, and IBM.

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Holdings
Item type	Current library	Call number	Status	Date due	Barcode	Item holds
Books	Library, SPAB L-1	741.6 RAN-D (Browse shelf(Opens below))	Available		011170

Total holds: 0

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Previous	741.6 ORE-R Recharge your design batteries : creative challenges to stretch your imagination /	741.6 ORE-R Recharge your design batteries : creative challenges to stretch your imagination /	741.6 ORE-R Recharge your design batteries : creative challenges to stretch your imagination /	741.6 RAN-D Design Form and Chaos/	741.6 SCA-I Interior design illustrated :	741.6 SKO-G Graphic design process :	741.6 THR Three D - graphic space /	Next

Form + Content --
Good Design Is Goodwill --
Intuition and Ideas --
Logos ... Flags ... Street Signs --
The Presentation --
Next --
The Limited --
The IBM Logo --
AdStar Advanced Storage and Retrieval --
IDEO Design --
Morningstar Investment Advisers --
Computers, Pencils, and Brushes --
Aspects of Book Design --
A Mentor --
From Cassandre to Chaos.

Paul Rand's stature as one of the world's leading graphic designers is incontestable. For half a century his pioneering work in the field of advertising design and typography has exerted a profound influence on the design profession; he almost single-handedly transformed "commercial art" from a practice that catered to the lowest common denominator of taste to one that could assert its place among the other fine arts. Among the numerous clients for whom he has been a consultant and/or designer are the American Broadcasting Company, IBM Corporation, and Westinghouse Electric Corporation. In this witty and instructive book, Paul Rand speaks about the contemporary practice of graphic design, explaining the process and passion that foster good design and indicting faddism and trendiness. Illustrating his ideas with examples of his own stunning graphic work as well as with the work of artists he admires, Rand discusses such topics as: the values on which aesthetic judgments are based; the part played by intuition in good design; the proper relationship between management and designers; the place of market research; how and when to use computers in the production of a design; choosing a typeface; principles of book design; and the thought processes that lead to a final design. The centerpiece of the book consists of seven design portfolios - with diagrams and ultimate choices - that Rand used to present his logos to clients such as Next, IDEO, and IBM.

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