000 | 01691 a2200241 4500 | ||
---|---|---|---|
999 |
_c9374 _d9374 |
||
003 | OSt | ||
005 | 20201005110540.0 | ||
008 | 180404b xxu||||| |||| 00| 0 eng d | ||
020 | _a9781472475916 | ||
040 | _cSPAB | ||
041 | _aeng | ||
082 |
_a720.92 _bSEQ-T |
||
100 |
_aSequeira, Marta _912700 |
||
245 |
_aTowards a public space : _bLe Corbusier and the Greco-Latin tradition in the modern city. _cMarta Sequeira |
||
260 |
_bRoutledge, _c2018. _aNew York : |
||
300 | _axi, 197 . | ||
520 | _aLe Corbusier is well-known for his architectural accomplishments, which have been extensively discussed in literature. Towards a Public Space instead offers a unique analysis of Le Corbusier's contributions to urban planning. The public spaces in Le Corbusier's plans are usually considered to break with the past and to have nothing whatsoever in common with the public spaces created before modernism. This view is fostered by both the innovative character of his proposals and by the proliferation in his manifestos of watchwords that mask any evocation of the past, like l'esprit nouveau ["new spirit"] and l'architecture de demain ["architecture of tomorrow"]. However, if we manage to rid ourselves of certain preconceived ideas, which underpin a somewhat less-than-objective idea of modernity, we find that Le Corbusier's public spaces not only didn't break with the historical past in any abrupt way but actually testified to the continuity of human creation over time. | ||
650 |
_aUD _912701 |
||
690 |
_aCity planning-History. _92464 |
||
690 |
_aLe Corbusier, 1887-1965-Criticism and interpretation. _911221 |
||
690 |
_aPublic spaces. _912691 |
||
942 |
_2ddc _cTXT |