000			01427nam a2200193Ia 4500
999			_c4540 _d4540
005			20201214104153.0
008			160802s9999 xx 000 0 und d
020			_a9780521725910
041			_aeng
082			_a363.69 _bEGG-S
100			_aEggert, Paul _934228
245			_aSecuring the past: _b conservation in art, architecture and literature / _cby Paul Eggert
260			_bCambridge University Press, _c2009. _aCambridge:
300			_axi, 290 p.
505			_a1. Introduction-- 2. The witness of historic buildings and the restoration of the churches-- 3. The new Ruskinians and the new aesthetes-- 4. Forgery and authenticity: historical documents, literary works and paintings-- 5. Conservators and agency: their role in the work-- 6. Subtilising authorship: Rembrandt, scientific evidence and modern connoisseurship-- 7. Materialist, performance or literary Shakespeare?-- 8. Modes of editing literary works: conflicts in theory and practice-- 9. Readers and editors: new directions in scholarly editing-- 10. The editorial gaze and the nature of the work; Bibliography.
520			_aThe concept and practice of restoration in all its forms are entangled in many contemporary theoretical debates and problems. This book is the first concerted effort to examine together the linked philosophies of the different arts of preserving and uncovering the past.
650			_aConservation _934229
942			_cBK