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Critical ethnography method, ethics, and performance / by D. Soyini Madison

By: Material type: TextTextLanguage: English Publication details: New Delhi, Sage Publication. 2012:Edition: 2nd edDescription: xiv, 285 pISBN:
  • 9781483356778
Subject(s): DDC classification:
  • 305.8 MAD-C
Contents:
Preface Acknowledgments Chapter 1 " Introduction to Critical Ethnography: Theory and Method Defining Terms: What Is the Critical in Critical Ethnography? Dialogue: Virtues and Challenges The Method and Theory Nexus Key Terms Warm-Ups Chapter 2 " Methods: "Do I Really Need a Method?" A Method ... or Deep Hanging Out? "Who Am I?" Starting Where You Are "Who Else Has Written About My Topic?" Being a Part of an Interpretive Community The Power of Purpose: Bracketing Your Subject Preparing for the Field: The Research Design and Lay Summary The Interview Formulating Questions Questions to Get Started: Experience, Opinions, Feelings, and the Senses Creativity, Questions, and Three Favorites Memory and the Oral History Interview Rapport: How and What Is This Between Us? Coding and Logging Data A Biomimetics of Ethnography Warm-Ups Chapter 3 " Three Stories: Case Studies in Critical Ethnography Case 1: Local Activism in West Africa Case 2: Secrets, Sexuality, and Oral History Case 3: Community Theatre: Conflicts and Organization Warm-Ups Chapter 4 " Ethics Ethics Is . . . Ethics, Faith, and Environmental Activism The Question of Freedom Maria Lugones: Contemporary Ethics, Ethnography, and Loving Perception Summary Warm-Ups Chapter 5 " Methods and Application: Three Case Studies in Ethical Dilemmas Case 1: Local Activism in West Africa Case 2: Secrets, Sexuality, and Oral History Case 3: Community Theatre: Conflicts and Organization Warm-Ups Chapter 6 " Performance and Performed Ethnography Foundational Concepts in Performance and Social Theory Utopian Performatives The Performance Interventions of Dwight Conquergood Staging Ethnography as Performed Ethnography Autoethnography and/or Reflexive Ethnography Autoethnography in Performance as Critical Reflections Warm-Ups Chapter 7 " It's Time to Write: Writing as Performance Getting Started: In Search of the Muse The Anxiety of Writing: Wild Mind and Monkey Mind Writing as Performance and Performance as Writing Warm-Ups Chapter 8 " The Case Studies Case 1: Staging Cultural Performance Case 2: Oral History and Performance Case 3: Fieldwork and Social Drama Warm-Ups References Index About the Author
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Item type Current library Collection Call number Status Date due Barcode Item holds
Books Books Library, SPAB D-2 Non Fiction 305.8 MAD-C (Browse shelf(Opens below)) Available 010432
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Preface
Acknowledgments
Chapter 1 " Introduction to Critical Ethnography: Theory and Method
Defining Terms: What Is the Critical in Critical Ethnography?
Dialogue: Virtues and Challenges
The Method and Theory Nexus
Key Terms
Warm-Ups
Chapter 2 " Methods: "Do I Really Need a Method?" A Method ... or Deep Hanging Out?
"Who Am I?" Starting Where You Are
"Who Else Has Written About My Topic?" Being a Part of an Interpretive Community
The Power of Purpose: Bracketing Your Subject
Preparing for the Field: The Research Design and Lay Summary
The Interview
Formulating Questions
Questions to Get Started: Experience, Opinions, Feelings, and the Senses
Creativity, Questions, and Three Favorites
Memory and the Oral History Interview
Rapport: How and What Is This Between Us?
Coding and Logging Data
A Biomimetics of Ethnography
Warm-Ups
Chapter 3 " Three Stories: Case Studies in Critical Ethnography
Case 1: Local Activism in West Africa
Case 2: Secrets, Sexuality, and Oral History
Case 3: Community Theatre: Conflicts and Organization
Warm-Ups
Chapter 4 " Ethics
Ethics Is . . .
Ethics, Faith, and Environmental Activism
The Question of Freedom
Maria Lugones: Contemporary Ethics, Ethnography, and Loving Perception
Summary
Warm-Ups
Chapter 5 " Methods and Application: Three Case Studies in Ethical Dilemmas
Case 1: Local Activism in West Africa
Case 2: Secrets, Sexuality, and Oral History
Case 3: Community Theatre: Conflicts and Organization
Warm-Ups
Chapter 6 " Performance and Performed Ethnography
Foundational Concepts in Performance and Social Theory
Utopian Performatives
The Performance Interventions of Dwight Conquergood
Staging Ethnography as Performed Ethnography
Autoethnography and/or Reflexive Ethnography
Autoethnography in Performance as Critical Reflections
Warm-Ups
Chapter 7 " It's Time to Write: Writing as Performance
Getting Started: In Search of the Muse
The Anxiety of Writing: Wild Mind and Monkey Mind
Writing as Performance and Performance as Writing
Warm-Ups
Chapter 8 " The Case Studies
Case 1: Staging Cultural Performance
Case 2: Oral History and Performance
Case 3: Fieldwork and Social Drama
Warm-Ups
References
Index
About the Author

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